Anyone not familiar with Chicano culture may be surprised to note that there is a rich history of drama inherent in the form of protest dramas and short form pieces. Many of it borders on the side of the Greek style of theater, with plenty of symbolism, melodramatics, and sometimes tragedy. Myself, I'm somewhat partial to theater as a form of literature, but I probably don't see many shows as often as I might like to. That changed this Sunday when we took in a production of the latest Culture Clash drama, "Water and Power."
Now, Culture Clash has been around for quite some time. For the uninitiated, Culture Clash is a group of Chicano writers/actors who've performed for over 20 years together in many ways including done short form comedies, long-form drama, and even television. My first exposure to them was through their ground-breaking television appearance " Bowl of Beings," a biting commentary on the current and past political situation facing minorities in the United States. At the time, I barely understood most of it, but my parents were adamant that I watch and come to comprehend what they were saying. It wasn't until I saw them again, many years later, on stage at Dinkelspiel Auditorium that I would come to fully appreciate their wit, humor, and passion.
This is what I expected from "Water and Power," and it is safe to say, whole-heartedly, that it was everything I expected and more.
Describing the story is rather simple, twin brothers born in the East Los Angeles area, are raised to do what they can for themselves and their community. Unexpectedly, it is this community and the society around them that leads to the highest peaks and the lowest valleys in their lives. The questions remain, is it a result of their environment (as I have interpreted) or is it a result of their own blind ambition? As a program note, it was fascinating for me to read about the historic significance of Twin Legends, especially after having studied a couple of them before. The underlying message of the play, however, did resonate very well with the content of its dialogue.
Much of the theatrics are laced with pop culture references, Spanish language, and local knowledge, which strengthens the reality of the play. Although it is somewhat restrictive and always envelope-pushing, it made for some great moments. In particular, a stirring callback to the cultural song, " De Colores" brought to mind how much one's culture can be diluted. Perhaps one could consider some of the content tragic, I still think there is an underlying message of hope.
It doesn't hurt that it was funny, touching, and well-acted.
Catch it at the Mark Taper Forum while it's still playing. Culture Clash will also be performing in La Jolla next month. Road trip?
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